Monday, September 30, 2013

Facts...Counterfacts/Blog 3


    The way that the course is presented in the book is a bit confusing. Try to map out how the actual course might progress on a week-by-week basis.  If possible figure out a way to represent the course in some sort of chart or calendar that maps out reading assignments, writing assignments, etc. so that we can get a better overview of the course. 

Week 1

In-class diagnostic essay on chapter from Blackberry Winter

Due next week: essay about a significant experience you’ve had in the past two years. Have read I know Why the Caged Bird Sings in its entirety. Journal entries.

Week 2

Discussion: I Know Why the Caged Bird Sings
Examine and discuss student essays on significant life experiences
Due next week: Have read Catcher in the Rye.  Journal entries.

Week 3

Discuss revision and the writing process.
Discuss Catcher in the Rye
Due next week: Revised Essay 1

Week 4

Discuss example copies of Revised Essay 1. 
Due next week: Change essay (p. 61)

Week 5

Discuss and analyze example copies of student Change essays. 
Due next week: Have read Hunger of Memory.  Write journal entries.

I’m just going week by week, following the numbered and lettered assignments.  Maybe I have it wrong…?

Facts...Counterfacts/Blog 2



     How are the theory and practice of this course similar to and different from "Discovery of Competence"?  (How much would these teachers argue with each other if they had to work together to create a course?)


While I’m sure these teachers would argue with each other quite a bit while co-creating a course, I feel that there are actually quite a few similarities between “Facts, Artifacts….” and the “Competence” authors’ approaches.  First of all, in both courses, students tackle a semester-long project which investigates a subject (though I’d be more inclined to use the verbs “discover” or “explore” in the competence course).  Both also engage students in sustained inquiry and research of some sort.  Obviously, the counterfacts course presents itself as much more academic (the students are in a class modeled after an advanced graduate seminar) while the competence course almost seems a bit more “fluffy” (touchy-feely?) – I can’t come up with the appropriate adjective. 

The competence course seems to operate under the assumption that students’ competence already, to a pretty significant extent, exists. The counterfacts theorists on the other hand work to develop competence integral to an academic setting, and this competence is "learned" through rigorous reading, writing, thinking analyzing etc.

These teachers would certainly argue about the role of the teacher.  Bartholomae and Petrosky believe the teacher’s role is “to hold students to rules and requirements and, generally, to keep the group and its work together” (p. 31).  Kutz et. al feel that teachers are more like co-discoverers and creators of the course, rather than authoritative figures.  I was struck by the language in Bartholomae’s prompts, which contained quite a few first person pronouns referring to the teachers (giving the impression that “you” the students are writing for “us” the authoritative teachers, or “we” the teachers in charge would like you to write x…).  There is a clear distinction between teacher and student, and the relationship here is not akin to co-collaboration. 

I feel that several of these differences are too glaringly obvious to even analyze further, yet, it seems very possible to draw from the theory behind each course in the creation of a new one. 

Sunday, September 29, 2013

Facts...Counterfacts/Blog 1


“The course…demonstrates our belief that students can learn to transform materials, structures and situations that seem fixed or inevitable, and that in doing so they can move form the margins of the university to establish a place for themselves on the inside” (p. 41). 

Bartholomae and Petrosky’s Basic Reading and Writing course presents an opportunity for students who have been kept on the outside of the academic discourse community to become integrated into it.  Through engaged and rigorous study of a single subject, students experience “the subtle interaction between language and experience” (p. 102) and can begin to see themselves and readers, writers, more critical and reflective thinkers and “presenters” of well-formed, articulated and complex ideas (situated within the language and ideas of others). 

I appreciate the rigorous nature of this course.  Students, from the start, are treated as competent thinkers capable of carrying out intense and demanding work.  I found myself writing “wow” in the margin next to the description of what students “who have been identified as poor readers and writers” do in this course.  They spend “six hours a week for 15 weeks in a discussion class that centers on a single subject.  They read, on the average, 12 books and write 25 drafts and revisions” (p. 30).  I would imagine that any student, through this process of such extensive and intensive reading and writing, must come to appreciate the value of their own literate and increasingly academic work.  Students are required to keep up with the course. (They must attend, participate, complete all the assignments on time etc. or they will be dropped). There is appropriate scaffolding and support but no hand holding going on here. 

Most of this I read and found extremely logical.  When designing my own course, I might particularly draw from Bartholomae and Petrosky’s trajectory of assignments.  Students here work toward developing theories about a subject, but start by generalizing from their own experiences, then move toward generalizing from a set of case studies, before examining toward the end of the course, published academic studies.  I also really like the fact that students must prepare their writing to be published in the class "autobiography" book, adding importance to their work, words and ideas.  I have only e a few questions about what I read:

-Students are instructed to mark the margins or circle page numbers as they read, but are asked explicitly not to underline or write notes.  Why are they discouraged from annotating more elaborately?  Is this about speed, fluency or flow of reading? 

-It is stated that this course is modeled after an advanced graduate seminar, which it clearly is in many ways.  A primary difference that jumped out at me, however, is the fact that in an advanced seminar, students chose their own subjects to study (and are therefore presumably interested in their topics of investigation).  I would assume that some students enrolling in undergraduate-level coursework might not be able to sustain interest in some of the topics (i.e. adolescent development) chosen for them. I realize it is assumed they will be interested since the subject relates to their owns lives; however, I’m wondering if lack of interest is ever an issue and if so, how that is handled.